A mortal woman. An Unseelie king. A court that wants her dead and a realm that needs her alive.
The Stolen Throne is a complete romantasy trilogy set in Velanthor, a Fae realm of obsidian palaces, ancient power, and politics sharp enough to kill. It follows Leah Merritt — former pickpocket, accidental queen, and the most inconvenient person Soren has ever tried to rule around — from a forced marriage neither of them wanted to the kind of love neither of them planned for.
For two hundred years, Soren has ruled the Unseelie Court with the precision of someone who learned long ago that caring about things is a liability. His brother is gone. The frost spreads a little further every winter. The court calls it strength. He calls it surviving.
When a mortal woman kills a Fae prince in a Boston alley — his brother, as it happens — the law gives him two choices: her death, or her hand in marriage. The court wants blood. Soren has spent two centuries watching what happens when he lets the court decide. He chooses differently.
The Frozen King is the prequel novella to The Stolen Throne Trilogy — the story of the two hundred years that made Soren who he is, and the moment a dark-eyed pickpocket from a mortal city became the most interesting variable he'd encountered in centuries.
Leah Merritt has survived on the streets of Boston by being smarter, faster, and harder to kill than anyone who came for her. What she hasn't survived — until now — is a Fae court, a forced binding, and a king who looks at her like he's still deciding whether she's a threat or an asset.
Soren is everything the Unseelie Court requires him to be: cold, calculating, and constitutionally incapable of sentiment. He didn't marry the mortal woman because he wanted to. He married her because she was standing over his brother's body with an iron letter opener and absolutely no apology for it, and something about that felt like a decision worth protecting.
Neither of them planned this. Neither of them is especially good at trust. They're going to have to figure it out anyway — because the Seelie Court wants her dead, his court wants her gone, and the only thing standing between Leah and everyone who wants to make her disappear is a king who isn't sure what he feels about her yet. He's starting to have suspicions.
Two months into her marriage to the Unseelie King, Leah has learned the language of Fae politics, earned a fragile foothold in a court that didn't want her, and almost — almost — started to believe she belongs here.
Then a letter arrives from the mortal world. Her father was Fae royalty. She has a half-brother she never knew existed. And the Seelie Queen has been quietly collecting humans with Fae blood for a ritual that requires exactly one thing Leah wasn't planning to give: herself.
When Isolenne offers a choice — come willingly, or watch innocent people disappear permanently — Leah makes the only decision she can. She goes. She doesn't tell Soren until it's too late to stop her. Soren does not take this well.
The war with the Seelie Court is over. The realm is stable. For one month, Leah and Soren have something that looks, cautiously, like peace. It doesn't last.
The Fae realm is dying — not from war or politics, but from something older and more absolute. The Unmaking. An entropy at the edges of the world, consuming land and life and the people who live there, spreading faster with every passing week. There is exactly one way to stop it, and it requires Leah to surrender the last thing she thought she'd have to give: her humanity.
The transformation will change everything. Her body. Her power. Her place in the world she came from. And the person she's been fighting to remain since the night she killed a prince in a Boston alley and stumbled into a life she never asked for. She made a choice then. She'll make one now.
Begin with The Frozen King, the prequel novella told from Soren's point of view — the two-hundred-year backstory that explains everything about who he is when Leah arrives. Then follow the trilogy through court intrigue, Seelie betrayals, world-ending stakes, and one hard-won HEA.